Theory, Categorization, and Perception of Cadences and Openings in Post-tonal Music
Research Project 01/03/2021–29/02/2024
FWF P 34097-G
Christian Utz, principal investigator
Luca Danieli, post-doctoral researcher
Ana Rebrina, doctoral researcher
Antares Boyle (University of Portland)
Robert Hasegawa (McGill University Montreal)
Robert Höldrich (University of Music and Performing Arts Graz)
Markus Neuwirth (Anton Bruckner University Linz)
Daniel Mayer (University of Music and Performing Arts Graz)
Christian Utz studied composition, music theory, and musicology in Vienna and Karlsruhe. He received a doctorate degree (2000) and habilitation (2015) in musicology at the University of Vienna. Since 2004 he has been professor of music theory and music analysis at the University of Music and Performing Arts Graz and since 2015 private lecturer in musicology at the University of Vienna. He lead(s) several research projects funded by the Austrian Science Fund (FWF) including A Context-Sensitive Theory of Post-Tonal Sound Organization (CTPSO, 2012–2014), Performing, Experiencing and Theorizing Augmented Listening: Interpretation and Analysis of Macroform in Cyclic Musical Works (PETAL, 2017–2020), Points of Discontinuity: Theory, Categorization, and Perception of Cadences and Openings in Post-tonal Music (PoD, 2021–2024), and Multiple Dimensions in Performances of Mahler’s Symphonies: Developing Resources on the History and Analysis of Mahler Performance (MMD, 2021–2024). Utz’s monographs include Neue Musik und Interkulturalität: Von John Cage bis Tan Dun (Beihefte zum Archiv für Musikwissneschaft 51, Steiner, 2002); Komponieren im Kontext der Globalisierung: Perspektiven für eine Musikgeschichte des 20. und 21. Jahrhunderts (transcript, 2014; revised and expanded English edition: Musical Composition in the Context of Globalization. New Perspectives on Music History of the 20th and 21st Century, transcript 2021; https://doi.org/10.14361/9783839450956). He has been co-editor among others of the Lexikon Neue Musik (Metzler and Bärenreiter, 2016; https://doi.org/10.1007/978-3-476-05624-5) and the journal of the German-speaking Society for Music Theory (ZGMTH, 2015–2020; https://doi.org/10.31751/zgmth). Utz has been member of the executive board of the German-speaking Society for Music Theory (GMTH, 2014–2018) and the International Gustav Mahler Society (since 2019).
Luca Danieli holds a Ph.D. in instrumental and electroacoustic music composition from the University of Birmingham (UK). His main areas of interest include electroacoustic and mixed-music theory, musical aesthetics (20th- and 21st-century), cognitive musicology, and computer programming. Academic contributions include articles on music composition and artificial intelligence, as well as on music theory and spatial hearing. He has been artist in residence for the Center for Art and Media ZKM Karlsruhe and organizations in Italy (Torino Solitunes Festival, Associazione Progetto Musica). During the years 2015–2018, he has contributed to the development of the open source software for algorithmic composition SuperCollider, under the direction of Scott Wilson.
- Danieli, Luca, M. Witek, and C. Haworth (2021). “Space, Sonic Trajectories and the Perception of Cadence in Electroacoustic Music.” Journal of New Music Research, forthcoming.
- Danieli, Luca. 2019. “Arte, innovazione tecnologica, scienza.” Arte Scienza 11: 193–224, https://doi.org/10.30449/AS.v6n11.099
- Danieli, Luca. 2018. “Points of Discontinuity and Spatial Cadences: Two Experimental Concepts for the Development of Musical Theory.” In Proceedings of the XXII Colloquium on Music Informatics, Udine, November 20–23, 2018, 70–76.
- Danieli, Luca. 2014. “Musical Synthesis by Means of Cellular Automata and Gestalt Patterns.” International Journal of Unconventional Computing 10 (3): 165–180.
Ana Rebrina is a PhD candidate at the University of Music and Performing Arts Graz. In 2018, she graduated from University of Zagreb, Academy of Music, with a Master’s degree in Music Theory. Her research focuses on relationship between structure, performance, and perception in post-tonal music. In her doctoral project, she is exploring these aspects in the context of piano music from early serialism.
Most important invitations to present at scientific conferences
2018 (May) International Conference Terminology Research in Musicology and the Humanities in Zagreb
2019 (Oct) 1st International Conference Psychology and Music – Interdisciplinary Encounters in Belgrade